![]() ![]() By the way, the film has everything in order with him (by violence) - Rodriguez, even the sparing PG-13 rating, doesn’t interfere with cutting heads, cutting people in half and showing a close-up of a pool of blood. But Alita is not afraid of anything: she breaks and shreds, because she cannot do otherwise, violence in her DNA - what the film says very literally. ![]() This is all around their personal dramas: the good doctor Ido and his wife were scattered on the opposite sides of the barricades by the death of their daughter, the guy Hugo is tormented by his conscience because of a not too honest way of earning, even villains, small and big, have their own petty fears and injuries. Alita, in general, is also not very worried about meanings, she is a completely elemental character: to act, she does not need any scenario conventions there. The film is very easy and convenient to characterize through its title character. ![]() Serious people from the last heavenly city want to get Alita - or rather, the long-lost technology that underlies her cybernetic organism. The doctor repairs the girl and brings her back to life: now she has to learn the bitterness and joys of the post-apocalyptic world, meet love and meet the deadly threat. Delving into a local landfill, cybernetics doctor Ido (Christoph Waltz) finds the top of a cyborg girl (Rosa Salazar, hopefully her breakthrough role) with big eyes and, as it later turns out, her same big heart - and quite literally. ![]()
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